Fourth and the last edition presents a formal sound experiment with four oscillators, one sequencer and reverb. Pitches and timbres of oscillators are being modulated by the sequencer's algorithm, switch then decides one by one which of the four outputs is chosen at the rate of given audio sample which itself is changing speed all the time (through my hand... or mouse, rather). At times the switch would be flicking rapidly fast, thus creating one textural blend of noise, and at other times it would proceed really slowly which would allow individual notes to breathe out. As the sequencer and the modulation of the audio rate are separated from each other it allows for different set of parameters every time and thereby a new sonic atmosphere. The recorded performance was treated with reverb afterwards. The second piece is just a little draft to offset the experimental nature of the first piece – closing credits of sorts...
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